Jon Jost, independent film-maker. The early films
11. Conclusion and filmography
'Slow Moves' is an anti-love story love story, 'Stagefright' is an anti-theatre theatrical piece, 'Chameleon' is an anti-art art-movie, 'Angel City' is an anti-detective story detective story, and 'Speaking Directly' is an anti-feature-film feature-film. It may appear that Jost, and he has been accused of this, is an anti-film film-maker. Jean Luc Godard has come to Jost's defence on this point, saying: He is not against the movies, he makes them move, the point being that it is only the conventions Jost is attacking, not cinema itself, his aim being not to destroy, but to re-invent.
Looking at Jost's first twenty years of work then, we can see a development of themes and methods which is remarka ble for its consistency, and for its progress from short 'single idea' films to complex multi-layered narratives. He is always exploring the medium and extending its potential for communication.
His films, though always rewarding, are not always pleasant to watch, and, as he has said himself, if they were so they would have failed in their purpose. Jost is concerned that we live in a society riddled with conflict, alienation, loss of meaning, and the debasement of values, and he sees that our reluctance to face these problems is half the reason for their existence. His films are disturbing because they are an attempt to face these things which we, to our detriment, prefer not to think about.
Perhaps what most distinguishes Jost's work from that of commercial directors is his uncompromising respect for both the medium and the audience; he never abuses either, and his comment, (from 'Susannah's Film'), defines the point at which the viewing, and the criticism of his films must start and finish: 'Film is like a mirror. If an ape looks in an apostle cannot look out'.
* All quotes, from the films and the interview, are approximations taken from notes made immediately after seeing the films.
Jon Jost, early filmography (up to 1983)
Shorts
Portrait 1963
City 1964
Leah 1967
Traps 1967
13 Fragments and 3 Narratives From Life 1968
Primaries 1968-70
A Turning Point in Lunatic China II 1968-70
l, 2, 3, Four 1968-70
Susannah's Film 1969
Canyon 1970
Flower 1970
Fall Creek 1970
A Man is More Than the Sum of His Parts/A Woman is . . . 1971
Beauty Sells Best 1976
X2: 2 Dances by Nancy Karp 1980
Godard 1980
Features
Speaking Directly 1973-75
Angel City 1976
Last Chants For a Slow Dance 1977
Chameleon 1978
Stagefright 1980
Slow Moves 1983
Interview
Jon Jost GB 1982. Directed by Keith Griffiths and Jon Jost. Made for Channel 4's 'Late Hour'.
Read the full version of this essay at: http://www.literature-study-online.com/essays/jon-jost.html
Ian Mackean runs the sites http://www.literature-study-online.com, which features a substantial collection of English Literature Resources and Essays, (and where his site on Short Story Writing can also be found), and http://www.Booksmadeintomovies.com. He is the editor of The Essentials of Literature in English post-1914, published by Hodder Arnold in 2005. When not writing about literature or short story writing he is a keen amateur photographer, and has made a site of his photography at http://www.photo-zen.com
Author:: Ian Mackean
Keywords:: slow moves,stage fright,Stagefright,Chameleon,jon jost,jon jost Chameleon,jon jost slow moves
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