Thursday, August 2, 2012

The Great Spielberg

Steven Spielberg is one of the greatest directors in the filmmaking history. He did not graduate from a university, did not take any film classes. Spielberg is a self-taught director whose films totaled 2 billion dollars in domestic market only. He contributed to the modern movie industry a lot. He created his first movie in 1969.

However it was his next film that truly cemented Spielberg's reputation as a rising star. Jaws came out in 1975, andproved to be a tremendous success. It quickly established Spielberg's reputation and fame, also heralding a new era of blockbuster films with large gross revenues. When Jaws was released not even Spielberg himself could have imagined the impact it would have on contemporary cinema. The release of Jaws and shortly after George Lucas' Star Wars was a move towards big budget blockbusters and as many called it 'New Hollywood.'

Hollywood itself was in the midst of an aesthetic, cultural, and industrial reorientation, which wa s signalled most dramatically by the unprecedented box office successes of Jaws and Star Wars.

Spielberg's follow up, 1977's Close Encounters of the Third Kind was another staggering success, employing state of the art special effects to document its story of contact with alien life. In 1981 Spielberg's teamed up with Producer George Lucas and actor Harrison Ford and introduced the world to Indiana Jones, an archaeologist and intrepid adventurer that became the most popular screen hero since James Bond. The film Raiders of the Lost Ark went on to be one of the biggest hits of the decade and later sequels The Temple of Dome (1984) and The Last Crusade (1989) were launched, as well as a short-lived television series. Shortly after Raiders of the Last Ark, Spielberg released ET - The Extra Terrestrial in 1982. This science fiction classic about a boy, who befriends an alien, is often regarded as his Spielberg's greatest artistic achievement. ET became one of the most comm ercially successful movies of all time and at the time of its release was the highest-grossing film ever made

After 1984's Raiders of the Lost Ark sequel, Indiana Jones and the Temple of Doom, Spielberg directed a film called The Color Purple. It was an adaptation of Alice Walker's much honoured novel exploring the lives and struggles of a group of African-American women during the Depression years. The film went on to gross over 100 million dollars at the box office, later securing 11 Academy Award nominations.

A 1987 dramatisation of J.G. Ballard's novel Empire of the Sun was Spielberg's next picture, and was one of his few box-office disappointments, but Spielberg returned to form with 1989's Indiana Jones and the Last Crusade. Hook (1991) was Spielberg's long-awaited return to fantasy material. It was a lavish yet quirky update of the Peter Pan story starring Dustin Hoffman, Robin Williams, and Julia Roberts. Budgeted at over $60 million, the film received mi xed reviews and although doing better than original thought at the box office, Spielberg fell victim to a lot of criticism.

However in 1993 Spielberg returned with a vengeance with Jurassic Park, a $70 million adaptation of Michael Crichton's dinosaur disaster novel, represented a return to the kind of muscular adventure that had served him well in the past. This film consisted of superb special effects, which ranked among the most aggressively marketed films of all time. The result was a global blockbuster, with receipts coming in at over one billion dollars.

In the same year as Jurassic Park, Spielberg released Schindler's List. For once, he went against his instincts and made an impressively restrained black-and-white epic docudrama set during the Holocaust. The film achieved widespread critical praise and won two Academy Awards for best director and best picture. This was Spielberg's first Academy Award for best director, although the Academy of Motion Pictur e Arts and Sciences had honoured him with the Irving Thalberg Award in 1987. The film also collected Best Picture honours from the major critics organisations, in addition to seven British Academy Awards, including two for Spielberg. He also won the Golden Globe Award and was honoured by his peers with his second Directors Guild of America (DGA) Award, the first having come for The Color Purple. In February 1997, Schindler's List was seen by a television audience of 65 million people in NBC's unprecedented airing of the film in its entirety, without commercial interruption.

In 1994, Spielberg announced the formation of the new studio DreamWorks SKG, the first new film studio in nearly 50 years, in partnership with Jeffrey Katzenberg and David Geffen. Amistad (1997) was the first film directed by Spielberg under the new studio banner.

Spielberg has directed, produced, or executive produced eight of the top grossing films of all time. In 1997 he had back-to-back bl ockbuster hits with The Lost World: Jurassic Park which he directed, and Men in Black, which he executive produced.

Continuing to challenge himself artistically, Spielberg turned to World War II for another based on fact story, Saving Private Ryan (1998), about a team of soldiers selected to rescue a paratrooper, the only surviving member of a family of four who had served in the same unit.

Apart from the re-release of ET Spielberg's most recent Spielberg film was Artificial Intelligence staring

As well as directing all these films mentioned and many more Spielberg's has also served his own production company, Amblin as producer or executive producer on more than a dozen films. These films include such successes as Gremlins, The Goonies, the Back to the Future trilogy, Who Framed Roger Rabbit?, An American Tail, The Land Before Time, The Flintstones and Casper.

As you can see Spielberg has help make some of all time most popular and most successful f ilms and has made a massive contribution to contemporary cinema. Considered one of the world's most famous living filmmakers, as a producer and director, Spielberg has become a household word and brand name. Many of Spielberg's films as a director are among the highest grossing in film history. What he has accomplished is perfecting the successful combination of the intimacy of a personal vision with the epic requirements of the modern commercial blockbuster.

The article was produced by the member of masterpapers.com. Sharon White is a senior writer and Writers consultant at term papers. Get some useful tips for thesis and buy term papers .


Author:: Sharon White
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Narnia: The Lion The Witch & The Wardrobe

It has been at least 30 years since I read this classic series by C.S. Lewis The Lion, The Witch and the Wardrobe, and so imagine my surprise when the characters came to life on the movie screen. I did, however, remember enough of the plot not to feel too damned old to be there, although parts of the movie still seemed new to me. My daughter commented that the movie lacked the depth of the books; granted shes closer in age to the reading event than I am, but for a movie, it seemed a good waste of 2.5 hours.

The Pevensie kids are separated from their mother during World War II and forced to live in a huge mansion with virtually no adult supervision save a housekeeper they call The Mcready whos only purpose is to who warns that The Professor can not ever be disturbed. So, no running, no jumping, breathe lightly and tiptoe around. Well, we know how long that lasts. She seems more a housekeeper on methamphetamine tense, terse and prone to exaggeration - than a caregiver of children. She becomes the woman with heavy feet, stomping around off-camera to send the kids scattering. Basically, there is no supervision at all.

The Chronicles of Narnia is about four kids discovering that their closet is a portal into a magical world. I remember being enthralled when I first read it; I was much younger then and less jaded. However, the beaver in full metal body armor gave me pause. I never imagined a beaver ready to throw down, armed to the nines and ready to take on all comers.

These kids also survive for long periods of time in a snowy forest, which could only happen in a Lewis novel. In reality, they would have about as much chance of surviving in a snowy, sub-zero degree forest as Captain Kirk would have leading a life of celibacy.

The children step from one war zone (World War II, Europe) into, well, another war zone called Narnia, where the warriors arent our brave soldiers in combat gear, but a collection of talking beavers, fauns, goblins, and other half man-half, half-animal creatures armed to the teeth with enough strategy and tactics to survive a South Central L.A. riot unscathed.

Its been snowing for the past 100 years, which is liable to make anybody a bit, all thanks to the woman whom everyone is either enslaved to or preparing to fight. Enter the White Witch, played incredibly well by Tilda Swinton, an extraordinarily pale skinned woman with white hair and when I say almost no color, I mean she makes ghosts look tanned.

We have the usual religious claptrap that went along with this book - Two sons of Adam, and two daughters of Eve, - who turn out to be the children themselves - must break the curse. Humans, you see, are virtually unknown beings in Narnias mystical world, and the children are viewed prophetically. All the beavers, fauns and such like have whispered of four humans coming to save the day. These kids could be less interested, but as the story progresses, they be come more like the heroes in the Narnian fable and less like children trying to run back through the wardrobe to safety. They have the support of a mighty lion, Aslan, who is not only mighty, but good, pure and right. We have to have one of these in every fairy tale or evil would take over; then wed be watching a horror film.

They are helped to their hero-hood by, of all people, Father Christmas (James Cosmo) who rides in on his sleigh and, after a long speech about hope and the future of Narnia, turns out to be an arms dealer on the side except for that one day of delivering toys to tots. I guess he has to do something those other 364 days out of the year.

Christmas takes armament out of his gift bag, giving the children with an assortment of weaponry, a quick speech about using their tools effectively, then rides off into the snow presumably back to the North Pole. I half expected him to pull out the Narnian equivalent of a glock, but he managed to just stick w ith the various white-trash, pre-industrial age solutions to disputes knives, arrows and swords.One wonders, though if maybe he stop en-route to rob a convenience store, but I digress. It is definitely a 2005 Christmas moment.

Overall, Narnias comes to us with the same empowering message created by the book, and it is fueled by an engrossing plot, strong acting, the usual plethora of Oh Wow! special effects, and surprising bursts of comic relief. The beavers are cool; the faun silly and Aslan, very noble. It, of course, reminds me of The Lord of the Rings and Harry Potter. but its less cumbersome than the former movie and less goofy than the latter. Rating: Four Out of Four Stars

The Science Fiction Buzz covers whats going on in the genre, conveying the information in a fun and inspiring fashion. Science fiction is about hope, encouragement and the future. It is pure escapism, a window into imagination and Fantasy. In a time when our world is super-serious, whe re diseases abound and terror is delivered with the evening news, the Science Fiction Buzz is a haven. We encourage you to leave your cares behind, and for a few moments, dwell in the astounding.


Author:: Judith Brandy
Keywords:: Narnia, Fantasy, science fiction, family fun, Review
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The Poseidon Adventure

Coming May 12, 2006, to a theatre near you, a new updated retelling of The Poseidon Adventure called just, Poseidon. The original classic 1972 movie starred Ernest Borgnine and Gene Hackman. The premise focuses on a cruise ship named Poseidon that is flipped upside down by a giant wave. A group of survivors head toward the bottom of the ship, which is really the top, in an effort to survive certain doom.

The movie was actually based on a book by by Paul Gallico. He had based the story on a childhood experience aboard the Queen Mary where a wave had almost capsized the ship. He would later do research with insurance companies concerning overturned ships to get information for his novel.

The original movie was followed by Beyond the Poseidon Adventure starring Michael Caine and Telly Savalas Where as the first one centered around escaping an overturned ship, this one focuses on men seeking treasure from the overturned ship. The original movie is currently on DVD format, but Beyond the Poseidon Adventure at the time of this Writing has not yet been released.

The TV movie version, now on DVD, starring Steve Guttenberg and C. Thomas Howell, of The Outsiders fame, was actually pretty good, but I doubt it will compare to the latest movie version in terms of special effects and production value.

The new movie, starring Kurt Russell, Richard Dreyfuss, and Josh Lucas, doesn't appear to be using the same characters as the classic Poseidon Adventure. I suppose this is a move to not just repeat the same exact story with higher production values. It promises to be a very exciting movie. If Titanic was any indication this one could really make big bucks at the box office. One thing is for sure, this movie release can't be good for the cruise industry.

http://movie-poster.ws/ movie posters,news, and wallpaper


Author:: Tim Frady
Keywords:: article submission, Articles, Writers, Writing, Publishing, Ezine, Email marketing, Email newsletter, Email
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Nanny McPhee Priestess of Empowerment

You've never seen Emma Thompson so ugly. The svelte and proper actress dons warts and a mountain of a dress for this role. But if you're looking for an entertaining show with a series of excellent messages, rent Nanny McPhee. I was surprised to see that Thompson even wrote the screenplay.

My kids (ages 7 and 9) watched it and loved it. The special effects are outstanding, but the story is especially well-done. And what impressed me the most, was that there were examples of Youth Empowerment throughout.

Nanny McPhee takes the seven naughty children under her wing and teaches them all sorts of things that their father just couldn't. But during each lesson, she throws the Responsibility back on the children. I consistently heard Empowerment phrasing, like (these are paraphrased according to my memory):

What will you do? (When a child comes to Nanny with a problem.)

This is something you must do. (When the children are faced with a problem, she sent t hem all off to solve it.)

No, I couldn't interfere. But perhaps Simon (oldest boy) could talk to your father. (They wanted Nanny McPhee to work her magic so the potential stepmother would go away.)

And when the children asked Nanny if she would allow them to do whatever they needed to in order to scare off the woman their father would marry, she said, Only if you are willing to accept whatever consequences come your way.

The technical effects were marvelous, the story adventurous and even the predictable ending entertained. This movie gets high marks from me. I'd give it four stars.

Copyright 2006 Kelly Curtis. Kelly Curtis, M.S. is a freelance writer, speaker and former educator. Her educational curricula relate to tutoring and positive Youth development ( http://www.empowering-Youth.com ). She writes about Youth Empowerment in her blog -Youth - Our Greatest Natural Resource - at http://www.kellycurtis.blogspot.com .


Author:: Kelly J. Cur tis
Keywords:: Parenting, Movies, Youth, Empowerment, Responsibility, Nanny McPhee, Leadership
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The Jetsons (DVD) Review

If the Flintstones are the modern stone-age family, then the Jetsons are the quintessential post-modern futuristic family, complete with flying cars. Following the massive commercial success of the animated classic The Flintstones (1960), Hanna-Barbera followed with additional prime-time cartoon series Top Cat (1961) and The Jetsons (1962). Cancelled after one season on ABC, The Jetsons lived on through the success of syndicated reruns on Saturday morning cartoons, through TV Movies and specials, comic books, games, and toys. Its enduring success prompted Hanna-Barbera to revive the series from 1985 to 1988, using many of the same animation techniques and characters as found in the original

The Jetsons follows the lives of George Jetson and his average middle-class family. George is a bumbling, yet k ind-hearted family man who works for Spacely Sprockets, a sprocket manufacturing concern owned and run by the slave-driving dwarf Mr. Spacely. George's wife Jane is a homemaker who dials up breakfast for the family and pushes all the proper buttons necessary for cleaning the house and taking care of the domestic affairs. Son Elroy is a boy genius, and daughter Judy is a typical teenage rock-and-roller. Throw in a sarcastic robot maid named Rosie and a talking dog named Astro, and The Jetsons has all the elements of a modern TV classic. With flying cars, stilted high-rise houses, and automated gadgets for almost every conceivable form of work, the show matches The Flintstones pound-for-pound in respect to the artist/producers' breadth of creativity and imagination

The Jetsons DVD features a number of hilarious episodes including the series premiere Rosie the Robot in which Jane urges George to buy a robot maid, but George feels they can't afford it. And with his boss, M r. Spacely, due to come over for dinner, George doesn't think he can get raise out of Mr. Spacely if he sees a robot maid at the Jetson home. Meanwhile, Jane has taken a free one-day trial of an older-model 'Rosie' who makes Spacely the best dinner he's ever had, but not before he fires George, prompting Rosie to runaway from home. When the Jetson family finally tracks Rosie down, she decides to stay with the family permanently Other notable episodes from Season 1 include Rosie's Boyfriend in which Rosie falls in love with the building super's rag-tag robot assistant, and Miss Solar System in which Jane enters the Miss Solar System pageant against George's wishes, not knowing that George is one of the secret judges

Below is a list of episodes included on The Jetsons (Season 1) DVD:

Episode 1 (Rosie the Robot) Air Date: 09-23-1962
Episode 2 (A Date with Jet Screamer) Air Date: 09-30-1962
Episode 3 (Jetsons Nite Out) Air Date: 10-07-1962
Episode 4 (The Space Car) Air Date: 10-14-1962
Episode 5 (The Coming of Astro) Air Date: 10-21-1962
Episode 6 (The Good Little Scouts) Air Date: 10-28-1962
Episode 7 (The Flying Suit) Air Date: 11-04-1962
Episode 8 (Rosie's Boyfriend) Air Date: 11-11-1962
Episode 9 (Elroy's TV Show) Air Date: 11-18-1962
Episode 10 (Uniblab) Air Date: 11-25-1962
Episode 11 (A Visit From Grandpa) Air Date: 12-02-1962
Episode 12 (Astro's Top Secret) Air Date: 12-09-1962
Episode 13 (Las Venus) Air Date: 12-16-1962
Episode 14 (Elroy's Pal) Air Date: 12-23-1962
Episode 15 (Test Pilot) Air Date: 12-30-1962
Episode 16 (Millionaire Astro) Air Date: 01-06-1963
Episode 17 (The Little Man) Air Date: 01-13-1963
Episode 18 (Jane's Driving Lesson) Air Date: 01-20-1963
Episode 19 (G.I. Jetson) Air Date: 01-27-1963
Episode 20 (Miss Solar System) Air Date: 02-03-1963
Episode 21 (Private Property) Air Date: 02-10-1963
Episode 22 (Planet Dude) Air Date: 0 2-17-1963
Episode 23 (TV or Not TV) Air Date: 02-24-1963
Episode 24 (Elroy's Mob) Air Date: 03-03-1963

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of The Jetsons (DVD).


Author:: Britt Gillette
Keywords:: jetsons dvd review
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Wednesday, August 1, 2012

Family Guy Cartoon Best of Breed

Of all the cartoon sitcom of the genre Family Guy is indeed the best of breed. If you will remember its predecessors such as; Wait Until Your Father Gets Home and The Simpsons it is obvious that Family Guy is a cut above. Of course when you rock the boat as much as they do, it is hard to find a home network, as sometimes it offends folks. But with the huge following the cartoon is more than in demand.

Indeed fellow cartoon viewer, I love that Family Guy cartoon show, great stuff, heck they slam everybody and you know it is good too, because people are WAY too uptight these days! Currently I see the need to laugh at our selves a little and dump some of the political correctness for a stereotype reality check. Why? Well because most stereotypes are bathed in at least some truth otherwise they would not be stereotypes at all.

Currently I am running a think tank and I find the Family Guy as a good warm up to dump the political correctness in order allow fluidity o f thought. You see, well, you know if you structure a think tank too stuffy like, then you control thought rather than allow proper anything goes flows of thought and therefore you ruin the whole essence of what a Think Tank really is.

Because controlled thought well, one could hardly say that is thinking? Flowing thought and focused thought is far better similar to fluidity of motion wins the battle and eventually the war. You cannot address real issues if you hide the political correctness and sweep reality under the carpet. Consider all this in 2006.

Lance Winslow


Author:: Lance Winslow
Keywords:: Family Guy Cartoon, Best of Breed
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Go West!

Ok, so some Bollywood producers and directors are using Foreign DOPs (Director of Photography) and other technicians. So what!The world is changing faster than some peoples mindsets. Just because we use people out of the Indian Industry does not mean that:

1. Indian technicians are no good.

2. It's done just to be superior to the competition.

3. Just the usual show off routine by filthy rich filmmakers.

Sometimes a Director may want a certain look and feel that he/she feels only a particular person may be able to deliver. If they have the budget why should some people with vested interests in Bollywood start getting their knickers in twist? The world is fast becoming a closely-knit unit. The Internet plays a big part. Anybody working any where on a film can research his or her topic using the net today.

If they have the resources they also have access to world-class technology and brains. It must also be noted that sometimes the flow turns the other way. Our talented actors, DOPs and other technicians are called for their services by foreign production houses far from our countrys shore. So where is the problem?

Like always what all this uproar about using outsiders in the making of Indian films, is really doing is showing the world that its biggest film industry (Bollywood) is also the most insecure.

By nature people in the entertainment industry are an insecure bunch. Its not only the actors and actresses that are victim to the insecurities of their career, but most other professionals are also in the same boat so to speak. Am I really good at what I do? Is he/she better than me? are I am sure doing the rounds in their heads all the time.

At the end of it all what makes or breaks a film is not which nationality did the people who made it belong to but more about whether it stuck a cord with the audience. After all who can forget Richard Attenboroughs - Gandhi. I thought it was a good film and I am sure some more people would feel the same too. It did not once bother me that the guy who played the central character was not Indian. He played his character well and did him justice. Thats all that matters.

Sasha Masand the founder of Indian Voice Overs is an award winning Television Producer who has been part of the Indian media industry for over twelve years.


Author:: Sasha Masand
Keywords:: Bollywood Production
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