Sunday, July 31, 2011

Dr. Strangelove (Movie Review)

One of the most interesting films of all time, Dr Strangelove is a farcical look at the insane underpinnings of some of the Cold War theories regarding Mutual Assured Destruction. With the Soviet Union and the United States threatening to utilize the tools of nuclear war (sanity began to sink in following the Cuban Missile Crisis) - each to prevent the other from dominating his realm - a brilliant satire on the situation was inevitable. Highly regarded director Stanley Kubrick (of A Clockwork Orange and 2001: A Space Odyssey) rose to the challenge. Despite the four decades which have passed since the release of Dr Strangelove, the film retains its place as a masterpiece of social commentary. And regardless of one's political ideology, Dr Strangelove is outrageously funny

Gathering a collection of oddball kooks, paranoid wackos, and outright insane individuals, the characters in Dr Strangelove bring the world to the very edge of destruction - without batting an eye, a nd all the while inexplicably protecting their petty fiefdoms from the greedy hands of their perceived enemies. After all, what if some bombs are left over after the nuclear war and the other side uses them to strike at our cave dwellings - to seize our caves!!!! In short, Dr Strangelove is a film beyond description. One just has to see it for himself

When U.S. Air Force Colonel Jack D. Ripper (Sterling Hayden) goes completely insane, believing the communists are conspiring to poison the 'bodily fluids' of the American populace, he orders his squadrons to attack the U.S.S.R. and drop a payload of nuclear bombs. The lone renegade sparks U.S. military action against his stronghold and a top level meeting between US President Merkin Muffley (Peter Sellers) and his top advisors. Conversing with Russian Ambassador Alexi de Sadesky (Peter Bull), the president tries to put an end to the crisis and avert nuclear war. But he learns instead that a nuclear strike by the US would automatically trigger a Soviet 'Doomsday' machine which will destroy all known life on Earth.

Desperate to save the world, the president must deal with a drunken Soviet Premier, the warmonger General 'Buck' Turgidson (George C. Scott), and listen to the droning monologues of former Nazi-scientist, turned genius advisor, Dr. Strangelove (Sellers). Sellers is hilarious in this role as well as his others. Overall, this Movie is a hilarious series of laughs with an endless number of one-liners such as Gentleman, you can't fight in here! This is the war room!

Hilarious to the end, Dr Strangelove is a modern satire that would make Jonathan Swift proud. Nominated for four Academy Awards including Best Picture, Dr Strangelove nevertheless went home from the Oscars empty handed. But the picture's legacy on ly seems to grow with the passing of time. Standout, Oscar-worthy performances by Peter Sellers and George C. Scott strengthen every aspect of the film, and the end of the Cold War only witnessed the rise of a new war against Islamic terrorism - with some similarly ridiculous ideas emanating from Washington's power brokers Overall, this is a funny Movie that puts the world political stage back in perspective. Its enduring success makes Dr. Strangelove a definite must-see film

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Dr. Strangelove (DVD).


Author:: Britt Gillette
Keywords:: dr. strangelove Movie review
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Tampa Boys Well Anchored in New Zealand

Pacific Solution: From Afghanistan to Aotearoa, a thought provoking documentary screened as part of the DOCNZ International Documentary Film Festival hosted at the Academy Cinema, Auckland on September 21, 2005 was a window to reality.

Centered on what is conveniently nullified by political tussles, social apathy and cultural bigotry, the documentary touches upon the challenges faced by the Tampa refugees who sailed ashore with literally no place to call home but New Zealand.

Producer Annie Goldson explains her motivation for creating the documentary, I thought the Tampa Story was so bound up in many world issues such as the broken hiSto ry of Afghanistan, the Taliban and the World Trade Centre that it was a very topical issue to make a documentary about.

Of the 438 refugees rescued at sea by Norwegian freighter, MV Tampa, off the Australian coast in August 2001, 133 are a part and parcel of New Zealand today.

Humanitarianism is woven into the fabric of New Zealand. Some acknowledge it others ignore it. But nothing changes the truth. The Afghans who were left in the middle of nowhere by the Howard government, were welcomed aboard the land of the long white cloud in 2001.

New Zealand is one of only 16 countries worldwide that take a guaranteed quota of refugees annually. This is part of New Zealand being a good international citizen, says a member of RMS Refugee Resettlement, Auckland.

RMS is a non-profit, non-governmental organization concerned with refugee resettlement in New Zealand on three basic levels, namely, service provision, public education and refugee policy. This o rganization draws on the strengths of refugees and helps them build a future in the country. RMS works with the 750 refugees accepted by New Zealand each year through their Refugee Quota programme.

Ms Goldsons documentary takes the viewer down a road less traveled, tracing the footsteps of the Tampa boys, from the persecution of the Taliban to their kiwi haven and the quest of their families to join them.

Indifference towards refugees, stereotypical views about refugee resettlement in New Zealand and misconceptions about refugees being a cost rather than a benefit are not uncommon.

The Tampa Boys are thought to have brought a unique perspective to New Zealand through their own culture and traditions. For example Tampa refugee Abdulqayun Salimi, who arrived four years ago with his wife, child and little else, is today a successful tiler in Christchurch.

The documentary based on a real life scenario created a platform for empathy and cultural open-minde dness.


Author:: Charlotte Lobo
Keywords:: Story
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Movie Review: "Capote" Is Beyond Definition

Moviegoers deciding to see Capote with the notion that they will walk away with more of an understanding of the megalomaniacal, self-destructive author will be disappointed; Truman Capote is more of an enigma at the end of the movie than he was at the beginning.

The film depicts a four-year segment of Capote's life which begins days after four members of a Kansas farm family are brutally murdered, and ends after the execution of one of the killers. In between, Capote finds himself drawn into a complex, approach-avoid relationship with convicted murderer Perry Smith as he researches and writes In Cold Blood, his best-selling book on the murders. Actor Philip Seymour Hoffman literally vanishes into the role of Capote, who veers between complete self-absorption and an overwhelming empathy for Smith and back again, and one has to wonder: Is the compassion real, or coldly manipulative, or both? Clifton Collins Jr. is quietly intense as the young Smith, who comes to rely on Capote's friendship and is periodically abandoned; the young convict reaches a kind of peaceful resolution of his feelings for Capote at the end. Not so with Capote; hardly a model of stability at the outset, his personality disintegrates until by the end of the film he is firmly locked onto the path which will eventually destroy him.

Director Bennett Miller and screenwriter Dan Futterman make a gutsy decision in refusing to explain or psychoanalyze either Capote or Smith; while it's normal to want explanations - Why did the killers do what they did? What was Capote's motivation in helping, and then not helping, and then meeting a final obligation to Smith? Did Capote, who saw himself in Smith, see a sympathetic human being, or did he see a monster? - The reality is that real life rarely has the kind of answers or emotional resolution we all crave. Hoffman's unflinching portrayal of Capote make s no apologies or explanations for any of the writer's actions but simply shows him in all his contradictions.

A possible irony of the movie is that In Cold Blood, the pivot around which the movie revolves, was recognized at the time of its writing as an entirely new literary genre, and Capote is so utterly unique that it cannot be defined as belonging in any conventional category. Neither standard bio-pic nor psychological drama, it is nothing so much as Truman Capote's shattered psyche splayed open for everyone to see. Both Hoffman and Collins deserve kudos in what is essentially a two-man show, in spite of spot-on performances by an excellent supporting cast.

Aldene Fredenburg is a freelance writer living in southwestern New Hampshire and frequently contributes to Tips and Topics. She has published numerous articles in local and regional publications on a wide range of topics, including business, education, the arts, and local events. Her feature articles include an interview with independent documentary filmmaker Ken Burns and a feature on prisoners at the New Hampshire State Prison in Concord. She may be reached at amfredenburg@yahoo.com


Author:: Aldene Fredenburg
Keywords:: movie reviews, Capote
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The Simpsons (Season 5) DVD Review

Originally a spin-off from a one-minute segment of The Tracy Ullman Show, The Simpsons morphed into the then-burgeoning FOX network's most successful program. As the longest running animated television show in history, and the longest running prime-time show of any type, The Simpsons is an American treasure - a combination of humor, wit, and satire that examines not just the lives of its eccentric characters, but also the society, culture, and world in which we live. Fun for adults and children alike, The Simpsons is a cutting edge television comedy that, like Seinfeld, changed the television landscape in the 1990's by creating a new genre of TV fun that spawned large network investments in new animated series such as King of the Hill, Futurama, and The Family Guy.

The Simpsons (Season 5) DVD offers a number of hilarious episodes including the season premiere Homer's Barbershop Quartet in which Homer tells Bart and Lisa the story of his early brush with fame as a mem ber of The Be Sharps - a barbershop quartet composed of Homer, Principal Skinner, Apu, and Barney (who replaced Chief Wiggum at the request of a music rep). The Be Sharps take the world by storm, performing for President Reagan and Johnny Carson. Eventually, the band is destroyed by Homer's bad song writing and Barney's new Asian girlfriend Other notable episodes from Season 5 include Rosebud (a satire of Citizen Kane, but with Mr. Burns in the starring role) and Lisa vs. Malibu Stacy in which Lisa protests the stereotypical and sexists remarks made by a talking Malibu Stacy doll (her efforts eventually lead to a new product design which bombs in the marketplace)

Below is a list of episodes included on The Simpsons (Season 5) DVD:

Episode 82 (Homer's Barbershop Quartet) Air Date: 09-30-1993
Episode 83 (Cape Feare) Air Date: 10-07-1993
Episode 84 (Homer Goes to College) Air Date: 10-14-1993
Episode 85 (Rosebud) Air Date: 10-21-1993
Episode 86 (Tree house of Horror 4) Air Date: 10-28-1993
Episode 87 (Marge on the Lam) Air Date: 11-04-1993
Episode 88 (Bart's Inner Child) Air Date: 11-11-1993
Episode 89 (Boy Scoutz N' the Hood) Air Date: 11-18-1993
Episode 90 (The Last Temptation of Homer) Air Date: 12-09-1993
Episode 91 ($pringfield) Air Date: 12-16-1993
Episode 92 (Homer the Vigilante) Air Date: 01-06-1994
Episode 93 (Bart Gets Famous) Air Date: 02-03-1994
Episode 94 (Homer and Apu) Air Date: 02-10-1994
Episode 95 (Lisa vs. Malibu Stacy) Air Date: 02-17-1994
Episode 96 (Deep Space Homer) Air Date: 02-24-1994
Episode 97 (Homer Loves Flanders) Air Date: 03-17-1994
Episode 98 (Bart Gets an Elephant) Air Date: 03-31-1994
Episode 99 (Burns' Heir) Air Date: 04-14-1994
Episode 100 (Sweet Seymour Skinner's Baadasssss Song) Air Date: 04-28-1994
Episode 101 (The Boy Who Knew Too Much) Air Date: 05-05-1994
Episode 102 (Lady Bouvier's Lover) Air Date: 05-12-1994
Ep isode 103 (Secrets of a Successful Marriage) Air Date: 05-19-1994

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of The Simpsons (Season 5) DVD.


Author:: Britt Gillette
Keywords:: simpsons season 5 dvd review
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How James Dean Became The Original Bad Boy Of Hollywood

James Dean paved the way for bad boys Hollywood history. Boys wanted to be like him, and girls wanted to date him. Critics consistently booed him, calling him a Brando imitation, but now more than a half a century after his death, we can all recognize his role as the original bad boy in Hollywood film.

Born on February 8, 1931 in Marion, Indiana, Dean spent his life bouncing back and forth between this agricultural, rural state and the bright lights of California. When James was still a young boy, his father packed the family up in pursuit of a new career in dental hygiene, the family landed in Santa Monica, California.

Life changed at age eight for Dean when breast cancer claimed his mother's life. A year later, he found himself back in Indiana, living with extended family. He grew up on that farm near Fairmount, Indiana. Fairmount High School planted and garnered a love of drama in Dean. He graduated and moved back to California where he resided with his newl y remarried father. After a short stint at Santa Monica College, Dean transferred to UCLA and thus caused an rift and subsequent separation between him and his father.

After some fruitless time in Hollywood, he ventured off to New York City in hopes of making his first big break, and he did. He began to study under Lee Strasberg, a well-known drama instructor. Work began to pick up with a few television and theater roles, then Dean finally caught his big break. Director Elia Kazan was searching for the right actor to Cal in his upcoming film East of Eden. Dean beat out the legendary Paul Newman. Dean's career had finally begun, and shortly thereafter it ended with a life-ending automobile accident, Dean was only 24.

In his short life span, Dean made one major accomplishment: he made himself known. He only had three starring roles, but each one left an indelible impact on viewers. In East of Eden, Dean played Cal Trask, a disenfranchised youth constantly battling for the attention of his father with his brother Aaron. Dean seemed to embrace this role and genuinely relate to Cal because of his own relationship with his dad.

In Rebel Without a Cause, arguably Dean's most famous film, Dean played another rebellious youth. This particular character, Jim, had difficulty forming friendships with others and slowly moves away from his parents. Dean's performance created the image of post-war 1950's teen boy.

Dean's last role, of Jett Rink, in Giant, reflected some of the same traits of his other two roles. He played rags-to-riches Jett Rink who finds his wealth striking oil. This role led to an Oscar Nomination.

Dean's unforgettable performances make him an icon in Hollywood history and a permanent part of the memories of those who see him in film.

Gregg Hall is an author living in Navarre Florida. Find more about this as well as movie posters at www.moviepostersandcollectibles.com


Author:: Gregg Hall
Key words:: Movies, classic Movies, Videos
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Saturday, July 30, 2011

Singing Hobbits Wizards and Orcs Oh My!

It all started with a simple statement scribbled across a blank page of an examination answer-book: In a hole in the ground there lived a Hobbit. Sixty some-odd years and several volumes later, Middle Earth is one of the most well-known and beloved Fantasy worlds.

Last year, 2005, marked the 50th anniversary of the complete publication of J.R.R. Tolkiens masterpiece. The Lord of the Rings, a multi-volume epic that followed The Hobbit, was first published in London in 1954, with an American edition following in 1955. This tale of unlikely heroes has been made into a radio play (the BBCs Third Programme aired it in 1956); an ani mated film (1978); a trilogy of live-action films (2001, 2002, 2003); several video games (1985, 1990, 1992, 2000, 2002, 2003, 2004) with more being planned; and now is being made into an ambitious live-theatre musical production.

The responsibility is huge, says Mathew Warchus, the man chosen to direct the stage version of The Lord of the Rings, but the opportunity is huge as well, because you can do some things you always dreamed of doing on the stage.

Lord of the Rings opened at the Princess of Wales Theatre in Toronto in February 2006, cost about $27 million (Canadian) to produce and faced many challenges.

People feel so strongly about Tolkiens work, Warchus says. I studied the books very carefully. I vowed I would not trivialize the piece in any way, but honor it and perhaps even add something to all the available incarnations of the story.

With so many adaptations of the work on hand, why would someone tackle a stage production? To rea d the novel is to experience the events of Middle Earth in the minds eye; to watch the films is to view Middle Earth as though through a giant window. Only in the theatre are you actually plunged into the events as they happen, says Warchus. The environment surrounds us. We participate. We are in Middle Earth.

Fans who have seen the preview agree. One said, It was unlike reading or watching Middle Earth, it was like being there!

The biggest question, however, was why a musical? Do we really want Frodo to sing, orcs to dance? We have not attempted to pull the novel towards the standard conventions of musical theatre, says Warchus, but rather to expand those conventions so that they will accommodate Tolkiens material.

There is music virtually the whole way through, says Kevin Wallace, producer of the show, Like in the books, the characters in the stage adaptation use songs that are already part of their culture to express themselves. They do not sin g as in a traditional musical, but as in a culture with a strong singing tradition, they use music as part of their everyday life.

The music is a collaborative composition of A.R. Rahman, a composer from India, Vrttin, a vocal group from Finland, and Christopher Nightengale, the shows musical supervisor. Since, Tolkien used Finnish as a basis for Elvish, having a Finnish group as part of the musical collaboration has given the music for this production an authentic and unique sound.

It's not really a musical in the tradition sense, Liam Kearns, a fan from Vancouver who traveled to Toronto just to see the show, told The Canadian Press. It's really a stage extravaganza. There's music, but it's a dramatic play.

When rumors of this production first surfaced, there was fear that the result would be cheesy or would stray too far from the original work. To help keep the adaptation in line with Tolkiens material, Laurie Battle, Head of Licensing at Tolki en Enterprises, worked as Creative Consultant, advising the director and producer directly, as well as pointing the way to further research when necessary.

The effort paid off. I highly recommend any and every Tolkien fan to watch this production, said one fan who saw the preview.

Lord of the Rings is appropriate for children aged 8 and older. Wallace advises, People should use their own discretion and bring children who are old enough to enjoy the performance. This is especially true, since it is about three and one-half hours long.

Knowing the story and its characters isn't necessary to enjoy the musical, according to Kearns. You can follow the story, which takes in all three books, even if you dont know the difference between an ent and an orc.

Previews of Lord of the Rings started Feb. 4, 2006 and the Gala Opening is scheduled for March 23. Toronto will be the only place to see this production for at least nine months, when the London p roduction premieres later this year. And Wallace says that Toronto will be the only place to see this musical in North America for at least 18 months.

A Kevin Wallace Limited Production, Lord of the Rings is presented by Kevin Wallace and Saul Zaentz, in association with David and Ed Mirvish and Michael Cohl. Tickets, which are $78 or $125 (Canadian), are available at http://www.lotr.com or by calling (416) 872-1212 or (800) 461-3333.

About the Author:

C.S. Pothitt is the editor of The Genre Traveler, an online travel magazine for science fiction, Fantasy and horror fans. You can find it at http://www.thegenretraveler.com In May, The Genre Traveler, in cooperation with Beyond Boundaries Travel, is taking readers on an exclusive behind-the-scenes tour of the World Premiere Lord of the Rings musical. If youd like to join, or youd like to learn more, go to http://www.thegenretraveler.com/LOTRTour.htm before the April 1, 2006 deadline for reservatio ns.


Author:: C.S. Pothitt
Keywords:: Tolkien,lord of the rings,genre travel,Fantasy,Hobbit
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Seinfeld (DVD) Review

The preeminent show of the 1990's decade, Seinfeld grew from an idea of a show about nothing into a sacred pop culture icon, not that there's anything wrong with that... The show follows the life of comedian Jerry Seinfeld and the exploits of his short, quirky, bald guy best friend, George Costanza (Jason Alexander), Jerrys neurotic neighbor Cosmo Kramer (Michael Richards), and Jerrys ex-girlfriend Elaine (Julia Louis-Dreyfus). Through the years, theyre joined by a loveable cast of characters that includes Newman, Uncle Leo, the Soup Nazi, Frank and Estelle Costanza, the Bubble Boy, and countless others

The Seinfeld DVD (Seasons 1 & 2) offers the very first glimpse into the world Jerry, beginning with The Pilot (episode 1) which was originally titled The Seinfeld Chronicles. The first scene involves Jerry commenting to George about a button on his shirt (the same conversation later takes place in the last scene of the series finale). These opening episodes provide in sight into the development of the shows four primary characters with conversations that range from Georges initial admission that hed like to be an architect (episode 2) to Kramers propensity for get rich quick schemes like a make-your-own-pizza pizzeria (episode 4). From day one, Seinfeld established itself as must see TV, creating such memorable episodes as The Stock Tip, The Pony Remark, The Deal, and The Chinese Restaurant.

Interestingly, in the pilot episode of Seinfeld, Elaines character does not yet exist, and Kramers character (not yet named Kramer, but Feldman) is more of an unemployed, pathetic, shut-in neighbor than the usual quirky and energetic Cosmo. Playing the role of the female in George and Jerrys life is a wisecracking waitress named Claire (Lee Garlington) who never appears in later episodes.

Nevertheless, this initial episode exhibits the flashes of brilliance that made Seinfeld a cultural phenomenon. The show is essentially about nothing. Ge orge and Jerry do some laundry Jerry and his neighbor watch some TV George and Jerry have some coffee During that time, the dominant topic of conversation is a girl that Jerry met while taking his comedy act on the road. Shes coming to stay at his place, but he doesnt know whether he should pull out a mattress for her or not. Feldman (Kramer), George, and Jerry debate the topic endlessly until the woman arrives and Jerry learns that its all irrelevant because shes engaged

Below is a list of episodes included on the Seinfeld (Seasons 1 & 2) DVD:

Episode 1 (Pilot: Good News, Bad News) Air Date: 07-05-1989
Episode 2 (The Stakeout) Air Date: 05-31-1990
Episode 3 (The Robbery) Air Date: 06-07-1990
Episode 4 (Male Unbonding) Air Date: 06-14-1990
Episode 5 (The Stock Tip) Air Date: 06-21-1990
Episode 6 (The Ex-Girlfriend) Air Date: 01-23-1991
Episode 7 (The Pony Remark) Air Date: 01-30-1991
Episode 8 (The Jacket) Air Date: 02-06-1991
Epis ode 9 (The Phone Message) Air Date: 02-13-1991
Episode 10 (The Apartment) Air Date: 04-04-1991
Episode 11 (The Statue) Air Date: 04-11-1991
Episode 12 (The Revenge) Air Date: 04-18-1991
Episode 13 (The Heart Attack) Air Date: 04-25-1991
Episode 14 (The Deal) Air Date: 05-02-1991
Episode 15 (The Baby Shower) Air Date: 05-16-1991
Episode 16 (The Chinese Restaurant) Air Date: 05-23-1991
Episode 17 (The Busboy) Air Date: 06-26-1991

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Seinfeld (DVD).


Author:: Britt Gillette
Keywords:: seinfeld dvd review
Post by History of the Computer | Computer safety tips

The West Wing (Season 2) DVD Review

Premiering in September 1999, the original NBC series The West Wing built an instant cult following with its seemingly realistic weekly excursions into the inner sanctums of the White House. The series became such a hit that some pollsters claimed that certain people actually believed Jed Bartlet was the real president (although, if true, this is more of a negative reflection on the intelligence of the electorate, and not necessarily an indication of West Wing's realism). But regardless, the truth of the matter is that West Wing definitely strikes a chord with certain audiences, providing entertaining brew of action, suspense, and drama on a weekly basis

Seasoned Hollywood actor Martin Sheen plays the lead role of President Jed Bartlet. The day-to-day affairs of Bartlet's administration are run by a number of individuals who surround him, among them are: Claudia C.J. Cregg (Allison Janney), Josh Lyman (Bradley Whitford), Sam Seaborn (Rob Lowe), Toby Ziegler (Richard Schiff), Leo McGarry (John Spencer), and Charlie Young (Dule Hill). West Wing follows these dedicated staffers as they work extended hours behind-the-scenes to help keep the White House running smoothly. Along the way, the stress of the job and the characters' personal lives make for an interesting glimpse into what many believe is an accurate portrayal of a real-life White House administration

The West Wing (Season 2) DVD offers a number of dramatic episodes including the season premiere In the Shadow of Two Gunmen: Part 1 in which the staff awaits news relating to the gunshot wounds suffered by Josh Lyman and President Bartlett, prompting them to reminisce about their initial involvement in Bartlet's campaign and how they all came to know each other. Meanwhile, Leo, Toby, and C.J. examine the formal inquiry into the Secret Service's policies as well as the legal implications of Bartlet's surgery and the transfer of his executive power Other notable episodes from Seas on 2 include In This White House in which the White House staffers host a contingent of pharmaceutical executives and leaders from Africans nations in relation to ending the AIDS crisis, and The Leadership Breakfast in which the staffers participate in a bi-partisan breakfast which they hope will actually substantively tackle an issue

Below is a list of episodes included on The West Wing (Season 2) DVD:

Episode 23 (In the Shadow of Two Gunmen: Part 1) Air Date: 10-04-2000
Episode 24 (In the Shadow of Two Gunmen: Part 2) Air Date: 10-04-2000
Episode 25 (The Midterms) Air Date: 10-18-2000
Episode 26 (In This White House) Air Date: 10-25-2000
Episode 27 (And It's Surely to Their Credit) Air Date: 11-01-2000
Episode 28 (The Lame Duck Congress) Air Date: 11-08-2000
Episode 29 (The Portland Trip) Air Date: 11-15-2000
Episode 30 (Shibboleth) Air Date: 11-22-2000
Episode 31 (Galileo) Air Date: 11-29-2000
Episode 32 (Noel) Air Date: 12- 20-2000
Episode 33 (The Leadership Breakfast) Air Date: 01-10-2001
Episode 34 (The Drop In) Air Date: 01-24-2001
Episode 35 (Bartlet's Third State of the Union) Air Date: 02-07-2001
Episode 36 (The War at Home) Air Date: 02-14-2001
Episode 37 (Ellie) Air Date: 02-21-2001
Episode 38 (Somebody's Going to Emergency, Somebody's Going to Jail) Air Date: 02-28-2001
Episode 39 (The Stackhouse Filibuster) Air Date: 03-14-2001
Episode 40 (17 People) Air Date: 04-04-2001
Episode 41 (Bad Moon Rising) Air Date: 04-25-2001
Episode 42 (The Fall's Gonna Kill You) Air Date: 05-02-2001
Episode 43 (18th and Potomac) Air Date: 05-09-2001
Episode 44 (Two Cathedrals) Air Date: 05-16-2001

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of The West Wing (Season 2) DVD.


Author:: Britt Gillette
Keywords:: the west wing season 2 dvd review
Post by History of the Computer | Computer safety tips

Movies Can "Romantic Comedy" Survive the 21st Century?

Romantic comedies survived WW2 and the 20th Century nicely, becoming the staple entertainment items of Hollywood's Golden Age. Cary Grant alone has made enough romantic comedies to last us for a while... THE AWFUL TRUTH, HIS GIRL FRIDAY, HOLIDAY, THE GRASS IS GREENER, OPERATION PETTICOAT, THE PHILADELPHIA STORY, MY FAVORITE WIFE, HOUSEBOAT... the list goes on and on.

Starting in the late 50s and continuing through the 60s, we have the Pillow Talk genre of rom-coms. Who can forget the Doris Day Rock Hudson magic? It was great while it lasted.

Zoom ahead to our day what do we have? Has anyone watched a good romantic comedy since the monumental achievement of WHEN HARRY MET SALLY (1989) and SLEEPLESS IN SEATTLE (1993), both written by Nora Ephron, and the latter also directed by the same?

YOU'VE GOT MAIL (1998) was one time too many Ephron tried to create the same Sleepless magic. As gifted a Writer and director as she was, even Nora Ephron could not pull the rom-com rabbit out of her hat whenever she wanted. And I'm afraid it's getting harder by the day.

How can we have true comedy, and especially romantic comedy, when the world seems to be exploding at the seams? With all these wars, international terrorism, global warming, nuclear proliferation, unheard of pandemics, who has the heart to celebrate the innocence of a romantic comedy?

One alternative is to recombine rom-com with other genres, like the rom-com-action-thriller experiment MR. AND MRS. SMITH (2005). I give that genre-saddling approach another ten years and then perhaps we may have to do with rom-com-horror and rom-com-sci-fi anomalies masquerading as the original thing.

Buckle your seatbelts, kids. Romantic comedy could be a rough ride in the years ahead.

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Ugur Akinci, Ph.D. is a Creative CopyWriter, Editor, an experienced and award-winning Senior Technical Communicator specializing in fundraising packages, direct sales copy, web content, press releases, movie reviews and hi-tech documentation. He has worked as a Technical Writer for Fortune 100 corporations since 1999. He is the Editor of PRIVATE TUTOR FOR SAT MATH SUCCESS web site http://www.privatetutor.us

In addition to being an Ezine Articles Expert Author, he is also a Senior Member of the Society for Technical Communication (STC), and a Member of American Writers and Artists Institute (AWAI).

A true movie fan since he was a child, Akinci provides FREE MOVIE PLOT IDEAS every day of the year at SCRIPT BOILER. Visit http://scriptboiler.blogspot.com today.

You are most welcomed to visit his COPYWRITING WEB SITE http://www.Writer111.com for more information on his multidisciplinary background, writing career, and client testimonials.


Author:: Ugur Akinci
Keywords:: Hollywood,romantic comedy,Movies,Films,ugur akinci,Writer,Editor
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Big Brother 7 Half Term Report Part Two

Big Brother is entering the half-way stage so here is a short round-up of five of the remaining nine established characters and how they fair in the betting market.

Aisleyne
Current Odds: 20/1

Aisleyne was voted into the house next door but will return to the main compound which will shock the other housemates as they thought they had got rid of her and her constant singing of hip hop songs that nobody has heard of. Aisleyne is the strongest female character but her fake ghetto speak and snapping at the other housemates will see her up for eviction more often than not. The House Next Door twist will see Aisleyne vote out four of the five new housemates, although they will actually be moved into the main house and face her when she returns herself. There could be a tricky few weeks in store for the promotions girl and aspiring pop star.

Imogen
Current Odds: 50/1

Imogen has been a disappointment and her character in the house is just a female version of Mikey. Dull, boring and nothing like the real-life serial footballer dater the tabloids would have us believe. Until recently, the only screen time she enjoyed was when she had tedious conversations in Welsh with fellow compatriot Glyn. For someone proud to be university educated, Imogen didnt know what malice meant nor saboteur before she was chosen to wreck the milk task in order for the housemates to win a luxury food budget. She passed the task, although all that was required was to let milk pour out of a giant vat without any of the other housemates noticing what she was up to. Yawn.

Richard
Current Odds: 66/1

The self-proclaimed sexual terrorist is another dullard who thinks he has a chance of winning. Since arguing with Imogen several weeks ago he has done very little since which unfortunately also seen his nominations by other housemates cease. Come on people, vote him out!

Susie
Current Odds: 80/1

Boring. Boring. Boring. Bi g Brother made a huge fuss about their Golden Ticket campaign in which a lucky member of the public would get the chance to enter the house. Instead, Susie, an ageing glamour model who had applied for Big Brother several times in the past was apparently chosen at random to join the rest of the housemates. Susie has found a role in the house as surrogate mother to little Nikki and lust object for granny fancier Glyn. Oh yes and she likes to drink tea. Lots and lots of tea.

Lea
Current Odds: 80/1

Surgically enhanced Lea has found life difficult in the house thus far and is now giving Nikki a run for her money on who can shed the most tears. Lea has the hots for Pete, although she denies it and has found herself a prime target for Aisleyne who established herself as the alpha female of the house. Leas almost unhealthy interest in Pete and constant crying will see her fellow housemates put her up for eviction soon. And not before time, either.

David Walker runs Big Brother betting and Jennifer Metcalfe websites.


Author:: David Walker
Keywords:: big brother 7, free big brother bets, big brother betting
Post by History of the Computer | Computer safety tips

Friday, July 29, 2011

Office Space (DVD) Review

If Seinfeld is a show about nothing, then Office Space is the hit comedy about one mans dream of doing nothing Arguably the best work-related comedy ever written, Office Space follows the life of Peter Gibbons (Ron Livingston), a computer programmer in his late-twenties who hates his mind-numbing job updating bank software for Initech Corporation. Hilarious from beginning to end, Office Space is the ideal comedy for anyone whos spent one iota of life wasting away in a cubicle...

Office Space focuses on the mundane world of Peter Gibbons and his fellow computer programmers Samir Nagheenanajar (Ajay Naidu) and Michael Bolton (David Herman). All three men are plagued by the condescending, soul-killing management techniques of their Satan-like boss, Bill Lumbergh (Gary Cole), who begins every utterance with a protracted Yeah Terribly unhappy with his job, and discontent with his romantic relationship, Peter whines about his horrible life while sipping coffee at Chotchkie s, a local restaurant where hes infatuated with a beautiful waitress named Joanna (Jennifer Aniston). Just like Peter, Joanna hates her job and her evil boss who forces her to wear pieces of flair. Samir and Michael encourage Peter to ask her out, but hes too paralyzed by life to do anything.

All that changes, however, when Peter visits a hypnotherapist with his girlfriend. In the act of sending Peter into a state of total relaxation, the hypnotherapist suffers a heart attack. His untimely death leaves Peter in a perpetual state of relaxation, providing his life with a much needed injection of enjoyment. The next morning, Peter sleeps through work, dumps his girlfriend, and asks Joanna out to lunch. The two hit it off, and Peter tells Joanna that hes going to stop going to work.

After a good week or so of neglecting his job, two independent consultants, Bob Slydell (John McGinley) and Bob Porter (Paul Willson), promote Peter to the upper ranks of management. Mean while, studious co-workers Samir and Michael are slated to be fired. Armed with this insider information, Peter approaches Michael about concocting a previously mentioned computer program to take the remainders of every bank transaction at Initech and funnel them into a private account owed by Peter, Samir, and Michael. Michael is reluctant until he finds out hes going to be fired.

While the two set out to convince Samir that their plan will work, resident office weirdo Milton Waddams (Stephen Root) is in the process of having his paycheck stopped by the consultants who uncover the fact that Milton was fired several years earlier but is still being paid. When Bill Lumbergh moves Miltons desk into the basement, he quietly vows revenge.

Meanwhile, one of the funniest sequences in the Movie takes pla ce when long-time corporate cog Tom Smykowski (Richard Riehle) achieves a lifelong dream when hes severely injured by a drunk driver. Fresh off a seven-figure settlement, and in possession of his prototype jump to conclusions mat, Tom tells Peter to hang in there, that life has a lot of good things in store for those who wait. In the meantime, Samir and Michael grow nervous when Toms lawyer reveals that white collar criminals go to federal pound-me-in-the-ass prison where they better beat someone up or become someones bitch on the first day. Office Space is one laugh after another, and our heroes nefarious plan works surprisingly well until it hits an unforeseen glitch. With their well laid scheme going up in smoke, Milton decides to create some smoke of his own

The brainchild of King of the Hill and Beavis & Butthead creator Mike Judge, Office Space will leave you in absolute stitches. Funny from beginning to end, with a plot mysteriously similar to Superman 3, this i s one Movie you need to see at least once if youve ever been trapped in a job from hell, and havent we all?

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Office Space (DVD).


Author:: Britt Gillette
Keywords:: office space dvd review
Post by History of the Computer | Computer safety tips

Acting Rise of Acting Techniques

A popular Italian comedy, Troupes of the commedia dell'arte was very popular throughout Europe in the early 1600s. They would work on makeshift stages and without scripts. These companies, which included women actor's spread a new wave between the actor's and audiences. Actor's improvised their own words and comic actions using a basic plot and character types, which created theatrical creativity and would capture the interest of the audience as a whole group. This was so unlike the opera or literary theater, where the emphasis from the audience concentrated on a playwright's speeches or individual. Scenic displays and literary concepts were not common, thus inspiring the art of Acting.

Theatergoers in England by the beginning of the 17th century learned how to distinguish Hamlet by actor-mana ger, Thomas Betterton. This was accomplished by other productions of Shakespeare's plays. Using different staging of familiar and classical plays sharpened spectator's senses. Good acoustics were designed into theater halls to help performers to be heard differently and to have more subtle and natural reflections. Visual details of a performance were easily perceived and critiqued with the introduction of indoor stage lighting. Individual actor's faces and hands were then displayed by the indoor stage lighting.

Charles Macklin and his student David Garrick became one of the first modern actors on the British stage in the 18th century. Commedia-like farces and pantomime was Charles Macklin's background and why he was hired, based his character Shylock (a Jewish businessman in Shakespeare's The Merchant of Venice) on Jews in London. Lifelike details of movement and speech were added to written text. These details might not have been noticed 50 years earlier if no t for the stage lighting, acoustic changes and other technologies.

Under better lighting conditions and more plausibility, David Garrick continued natural Acting. Mimicry was brought to the stage through Garrick's practices of imitating facial expressions of actual people. In his performance of Shakespeare's King Lear, Garrick used a crazed neighbor to reenact the accidental killing of his infant daughter. Garrick never dropped his character during a performance and he would listen and react in character to all the dialogue around him. Because of this, he was very popular with theatergoers.

Denis Diderot, an 18th century French encyclopedist, became fascinated with Garrick who was on tour in Paris. The actor feeling less emotion is what Diderot believed could achieve a more consistent and s tronger performance.

Diderot's essay Le paradoxe sur le comedien (1773; translated as The Paradox of the Actor, 1883), compared to famous rivals who performed at the Comedie Francaise, Marie-Francoise Dumesnil and Hippolyte Clairon.

Dumesnil believed it was an actor's responsibility to become the character and represented the so-called emotional school. She was very uneven as an actor and normally coasted through a performance until a tragic point was reached. She had emotional depth and tremendous power. She made claims she new the secrets of great Acting. To find out who she was as a character, where she was and what she had done, Dumesnil would use prayer. Alcohol stimulation was unfortunately a big part of her inspiration.

Clarion claimed she created her characters through movemen t and speech and not from becoming them or playing them. By rehearsing endlessly and perfecting the look of emotions, she was able to develop a natural and reliable character. She believed audiences applauded the actor, not the characters.

By these two actors' comparison's, Diderot uncovered polarities of inspiration and technique.

Problems of inspiration and expressiveness were not solved for other actors, however. For example, any schools or treatises that were left behind seemed to be more philosophical than technical. Actually with Garrick's natural school of Acting disappeared after his death. It was more of a fad with British audiences that was associated with the actor. Basically, Garrick and the rest couldn't teach their techniques.

In the 19th century emotional and anti-emot ional Acting styles of the great actors ran in cycles. Actor's of one generation championed the first technique and then was replaced by a younger actor who championed a different technique, which happened in every country. The romantic and emotive Edmund Kean followed Sarah Siddons, who followed Garrick and so on.

The limelight gave way to the rise of gas lighting and then on to electricity. More and more physical detail appeared on stage and costumes and scenic displays grew in complexity and size, which dwarfed the actor.

Michael Russell

Your Independent guide to Acting


Author:: Michael Russell
Keywords: : Acting
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Rudolph The RedNosed Reindeer (DVD) Review

One of a plethora of animated Christmas classics created in the 1960's - A Charlie Brown Christmas (1965) and How The Grinch Stole Christmas (1966) come to mind - this rendition of Rudolph the Red-Nosed Reindeer is unique in that it uses stop-motion animation instead of cartoons to tell its story. Voiced by Burl Ives, Sam the Snowman brilliantly narrates the tale of an awkward reindeer and his firsthand struggle with discrimination. Along the way, Ives sings a number of holiday classics such as Silver and Gold, Holly Jolly Christmas, and of course, Rudolph the Red-Nosed Reindeer.

Our story begins when Rudolphs father, Donner, tries to cover up his newborn sons shiny, bright red nose with a disguise. When Rudolph attends a flight training school for young reindeer, he encounters Clarice, a young doe who thinks that Rudolph is cute. This revelation causes Rudolph to leap into the air and fly around the sky like a seasoned aviator. But when he lands, the false nose fall s off and Rudolphs red honker is exposed to the scorn and ridicule of young bucks everywhere. Clarice is the only one who doesnt condemn Rudolph as a freak, but her father soon forbids her to congregate with such a monster.

Following this episode, Rudolph runs away only to meet up with an outcast Elf named Hermey who has committed the unforgivable sin of not wanting to make toys. Contrary to the social conventions of his time, Hermey wants to be a dentist. Rudolph and Hermey decide they will run away together. But in due time, they encounter the dangerous Abominable Snow Monster, a giant hairy beast who crushes anyone who leaves Christmastown. Aiding in their rescue is Yukon Cornelius, a burly prospector who chops off a piece of ice with his pick ax, allowing Rudolph, Hermey, and himself to float away from the Abominable Snow Monster (who cant swim).

After floating through the night, the three characters discover The Land of Misfit Toys an island of handicapped, screwed-up toys rejected by elf quality-control managers and forced to live away their best years in an icy wasteland. Our three heroes can relate to the misfit toys, and Rudolph promises to inform Santa of their status the next time he sees him.

But in order to reach Santa, Rudolph, Hermey, and Yukon Cornelius must first facedown the Abominable Snow Monster. Can they get past the angry monster? And if so, can they get to Santa in time for his Christmas deliveries? Will the weather put a halt to Santas Christmas plans?

This breakthrough Claymation classic is essential for any childs Christmas experience (and that of adults who grew up watching the much-anticipated holiday special on TV). Thats why this ranks as a definite must-see by any standard. But undoubtedly, we all owe a special thanks to J.C. Penny, the giant retail chain that created Rudolph as part of a promotional gimmick one fabled Christmas season many decades ago. Because it just wouldnt be Christma s without Rudolph

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Rudolph The Red-Nosed Reindeer (DVD).


Author:: Britt Gillette
Keywords:: rudolph the red-nosed reindeer dvd review
Post by History of the Computer | Computer safety tips

Will LOST Ever Be Found?

The rumors of its demise sadly over-calculated, LOST has settled into ratings numbers that secures it in the company of the best dramas on television. Had LOST managed to hold onto the 23million-plus it had in the beginning of its second series, I doubt ABC would be able to afford to produce it at this point. Any clue on what Matt Fox might demand for his LOST paycheck knowing the largest television audience in history was tuning in?

The fact of the matter is, LOST set records: Most Emmy nominations for a new series, and wins to boot; Most viewers for second season premiere; and, of course, one of the best cliff hangers in television history What is in the hatch?

Aside from all of this, the show has literally reinvented the internet fan community on such a scale that some sites, TheTailsection and LostPedia, found themselves featured players in the Alternate Reality Game The Lost Experience that was released to ease the game between season two and three.

The fact that the doomsayers have started to come out of the journalistic woodwork with tails of faltering numbers and disenchanted fans is nothing short of proof that malcontentism is alive and well.

With its incongruity of surreptitious plot twists and startling, sometimes jarring, changes of locale, the show has shown no sign of slowing down from its unique approach of leave continuity behind writing, which for this author is perfectly okay. Id love nothing more than to see LOST evade resolution for another ten seasons, if they could do it effectively, but, alas, that is not the goal of the men and women behind LOST; they claim to have planned a beginning, middle, and end, that will span four-to-five seasons at best. With that assurance, the criticism that LOST is a train with no rail is nonsense. Despite bold attempts to explain LOST (Lost for newbies for instance.), however, that end seems no-more closer than it did two weeks ago when we all watched a prone man, bloodied and disoriented, open a green eye onto an island of mystery for the first time.

So, if you want to find out more about Lost or even about Lost for newbies we recommend you clicking this link http://www.buddyTv.com


Author:: Groshan Fabiola
Keywords:: buddy Tv
Post by History of the Computer | Computer safety tips

Austin Powers (Movie Review)

The brainchild of former Saturday Night Live cast member Mike Myers (Wayne's World, Wayne's World 2), Austin Powers: International Man Of Mystery burst onto the Hollywood landscape in 1997 and made a beeline for the cult classic Hall of Fame. A parody/satire of the popular James Bond films of the past several decades, Austin Powers gave birth to a number of quirky and famous characters such as Austin himself, Dr. Evil, Scott Evil, and (later) Mini-Me. Sporting some of the most outrageous antics and bathroom humor in the history of film, Austin Powers successfully utilizes its play on the James Bond series (because it so parallels the films) to create a memorable Movie that will keep you laughing for two hours plus

Mike Myers plays the role of Austin Powers - international man of mystery. Frozen in a c ryogenic chamber since the 1960s, Austin is thawed out in the 1990s in order to take on his arch-nemesis Dr. Evil (who has also been frozen during that time period). A free-love advocate, Austin makes an immediate play for his new partner Vanessa Kensington (Elizabeth Hurley), daughter of his former spy partner Mrs. Kensington (Mimi Rogers).

Meanwhile, Dr. Evil collaborates with his entourage which consists of Number Two (Robert Wagner), Frau Farbissina (Mindy Sterling), and others. He develops a plan to steal a nuclear weapon and hold the world hostage for one million dollars! No. Make that one trillion dollars!!! To carry out his task, Dr. Evil must not only face down Austin Powers and his beautiful partner, but he's forced to grapple with the common-sense, quasi-evil tendencies of his son Scott Evil (Seth Green) with whom he's constantly fighting. Can Austin Powers save the world? Or will Dr. Evil succeed in holding the world hostage?

The success of Austin Pow ers is wholly attributable to the unique comic mind of Mike Myers who not only starred in the leading roles, but who also wrote the screenplay. Myers' portrayal of Dr. Evil steals the show with his evil laugh, diabolical grin, and propensity for all things evil (such as evil petting zoos). His soliloquy while receiving family counseling with Scott ranks as not only one of the best scenes in the film, but among the best scenes from any comedy film ever made. Elizabeth Hurley also turns in a good performance as Austin's partner Vanessa (doing a far better acting job than the verbally-challenged Heather Graham who always seemed to be reading from cue-cards in the Austin Powers sequel).

Meanwhile, Will Ferrell (of SNL and Elf fame) makes a notable appearance as Dr. Evil's henchman, Mustafa. His is a recurring character in later films. Overall, Austin Powers is one of the funniest films you'll ever see. Unless outrageous comedy is simply not your cup of tea, I can't think o f any reason not to recommend this film. Although the sequels are hilarious in their own right, the original is the best (as is often the case), and that's why Austin Powers: International Man Of Mystery is a definite must-see film

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Austin Powers (DVD).


Author:: Britt Gillette
Keywords:: austin powers Movie review
Post by History of the Computer | Computer safety tips

Thursday, July 28, 2011

Live Digital TV Broadcast to Your Mobile Phone

Do you dream of being able to watch live digital TV on your mobile phone handset? Thanks to DVB-H, this fantasy could soon become a reality.

DVB-H (Digital Video Broadcasting - Handheld) delivers much better video quality on colour handset displays than you are used to with 3G mobile services. The difference is in the way the content is transmitted to your mobile phone handset. Instead of being streamed as a download through the mobile phone network, DVB-H allows the content to be broadcast just like free to air TV. The result is a clearer, crisper image. And just as there is no limit to the number of TVs that can tune into a TV station, there is no limit to the number of mobile handsets that can tune into the broadcast TV transmission.

The DVB-H technology was developed specifically for handheld devices like PDAs and mobile phones. It was designed to use less power than regular digital TV (DVB-T) to make it more suitable for battery operated devices.

The re are currently four main competing digital mobile TV standards around the world. The DVB-H standard was formalised in August 2004 and is the one most likely to be adopted as the industry standard. Digital TV tuners have already been built into some Samsung mobile phones and are available in overseas markets such as Korea.

This new technology was on show at the 2006 Commonwealth Games in Melbourne, Australia, but is not yet commercially available.

In February 2006, Italian mobile service provider 3 Italia announced the launch of the first commercial DVB-H service in time for the FIFA Soccer World Cup in June. The Italians are famously passionate about their soccer, but imagine it -- whatever your sport, be it hockey, football or tennis and wherever you are, you can not only know the score but watch every winning point live on your own phone. The La3service will initially have 15 channels for subscribers with DVB-H mobile handsets, including sports, cartoons and shopping. Five more channels are due to be added to La3 before the end of this year.

The author has been a TV fan since the era of Andy Pandy and The Woodentops. You'll find more recent TV viewing guides, ratings and reviews at http://www.Tvcenteronline.com


Author:: Rita Preece
Keywords:: Dvb-h, Dvb-t, Tv, digital Tv
Post by History of the Computer | Computer safety tips

Queer As Folk (DVD) Review

Nominated for 9 Craft Awards (bestowed by the Director's Guild of Canada), Queer As Folk is a groundbreaking drama series that has built itself a large cult following since its inception in 2000. Based on a British TV series of the same name, Queer As Folk is in many ways similar to HBO's Sex And The City, and it's one of the first TV dramas to be completely centered around the lives of homosexual characters, or even have prominent homosexual characters - following on the heels of groundbreaking sitcoms such as Ellen (1994) and Will & Grace (1998). The brainchild of UK-born writer and creator Russell T. Davies, Queer As Folk follows the life and times of a group of gay friends as they live out their respective lives in modern-day America

Set in Pittsburgh, Pennsylvania, Queer As Folk follows the exploits of a group of gay and lesbian friends who live on or around Liberty Avenue. Most of the scenes take place either in the character's homes, a local diner, or the popu lar gay nightclub Babylon. Lindsay Peterson (Thea Gill) and Melanie Marcus (Michelle Clunie) comprise the lone lesbian couple to star in the series, while various gay friends and neighbors such as Brian Kinney (Gale Harold), Michael Novotny-Bruckner (Hal Sparks), Justin Taylor (Randy Harrison), Ted Schmidt (Scott Lowell), Emmett Honeycutt (Peter Paige), etc. deal with each other and their own varying relationships. Composed in a drama/soap opera format, Queer As Folk centers wholly on the careers and lives (including sex, drugs, love, friendships, tragedies, etc.) of its diverse characters, maintaining a specific focus on its attempted realistic portrayal and illustration of the American homosexual lifestyle...

The Queer As Folk DVD features a number of interesting episodes including the series premiere in which, following a night of entertainment at Babylon with his friends, Brian goes home with a man named Justin, but has a difficult time conveying to Justin that he doesn't want to pursue a relationship. Meanwhile, friends Lindsay and Melanie are celebrating the birth of their new baby boy, Gus Other notable episodes from Season 1 include Episode 110 in which Brian evicts Justin after he forgets to set the alarm and the place gets robbed, and Episode 118 in which Justin learns that his parents are getting a divorce while Ted is reunited with Blake

Below is a list of episodes included on the Queer As Folk (Season 1) DVD:

Episode 1 (Episode 101) Air Date: 01-17-2003
Episode 2 (Episode 102) Air Date: 01-17-2003
Episode 3 (Episode 103) Air Date: 12-10-2000
Episode 4 (Episode 104) Air Date: 12-17-2000
Episode 5 (Episode 105) Air Date: 01-07-2001
Episode 6 (Episode 106) Air Date: 01-21-2001
Episode 7 (Episode 107) Air Date: 01-28-2001
Episode 8 (Episode 108) Air Date: 02-04-2001
Episode 9 (Episode 109) Air Date: 02-11-2001
Episode 10 (Episode 110) Air Date: 02-18-2001
Episode 11 (Episode 111 ) Air Date: 02-25-2001
Episode 12 (Episode 112) Air Date: 03-04-2001
Episode 13 (Episode 113) Air Date: 03-11-2001
Episode 14 (Episode 114) Air Date: 03-18-2001
Episode 15 (Episode 115) Air Date: 04-01-2001
Episode 16 (Episode 116) Air Date: 04-08-2001
Episode 17 (Episode 117) Air Date: 04-15-2001
Episode 18 (Episode 118) Air Date: 04-22-2001
Episode 19 (Episode 119) Air Date: 04-29-2001
Episode 20 (Episode 120) Air Date: 06-10-2001
Episode 21 (Episode 121) Air Date: 06-17-2001
Episode 22 (Episode 122) Air Date: 06-24-2001

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Queer As Folk (DVD).


Author:: Britt Gillette
Keywords:: queer as folk dvd review
Post by History of the Computer | Computer safety tips

Grey's Anatomy and Music: Everybody Wins

Grey's Anatomy is a great show for a number of reasons. One of my favorite, however, that few people talk about, is the music. Grey's Anatomy features some of the best up and coming talent that the music industry has to offer. After every episode, I go on line and check out what those awesome songs were on Grey's Anatomy that night and then I go to iTunes and I download them. Lot's of my favorite CD's have come from me first hearing about them on Grey's Anatomy.

Rilo Kiley, Corinne Bailey Rae, Snow Patrol, James Blunt, Iron & Wine, The Fray, Tegan and Sarah, and much more have all been featured on Grey's Anatomy. It's incredible, really. Creator Shonda Rhimes is a ridiculously huge music buff (every episode is title after a famous pop song) and it shows on Grey's Anatomy.

It is also beneficial to artists looking for publicity. In today's world it's harder for great bands to shine through, with the plethora of available bands out there who are saturating the mar ket. Weeding out the bad from the good is a difficult task. When something like Grey's Anatomy can do the heavy lifting for you, its a huge weight off the shoulders of any music fan.

Grey's Anatomy is a great show and would be regardless of the music being used. However, there is no other show out there that uses music as well or with as much intelligence as Grey's Anatomy does. If you haven;t already you should buy the soundtracks or at least check out the great new bands that have their music showcased on Grey's Anatomy every week.

So, if you want to find out more about Grey's Anatomy or even about Grey's Anatomy and Music we recommend you clicking this link http://www.buddyTv.com


Author:: Groshan Fabiola
Keywords:: buddy Tv
Post by History of the Computer | Computer safety tips

Movie Review His Girl Friday (1940)

A much-praised romantic comedy classic directed by Howard Hawks and written by Charles Lederer based on the stage play The Front Page by Ben Hecht and Charles MacArthur.

Three immediate observations about this famous flick:

1) It certainly still is a funny film. I ended up laughing out loud in quite a few scenes even though His Girl Friday was shot 66 years ago! That says a lot about the staying power of this madcap comedy classic.

2) In terms of the words-per-minute delivery, probably this is one of the most wordy Films ever produced. Talking about talking heads! Both Cary Grant (as the manipulative and exploitative newspaper Editor Walter Burns) and Rosalind Russell (as the crackerjack and ambitious reporter Hildegaard 'Hildy' Johnson), as well as all the other characters, race wi th one another in delivering truck-loads of sharp comebacks, jokes and sarcastic comments at the speed of a red hot machine gun. The words come out cascading from all of them in a ceaseless head-splitting torrent of verbiage. One wonders how many pounds the actors must have lost collectively after wrapping up this one.

His Girl Friday definitely represents the ultimate antithesis of the modern taboo against telling but not showing in Films. It does not have a single scene which is not deep into the exposition business.

3) Directorially, this is one of the amazingly lop-sided Movies I've watched for a long while. It begins with a tight focus on the Grant+Russell interaction and expands into the uncomfortable triangle formed by the two and Hildy Johnson's fianc the insurance man Bruce Baldwin (Ralph Bellamy).

Then, without any advance warning, the scene shifts to a Press Room and to the antiques of a bunch of old crusty poker-playing cigar-chomping reporters who are covering the story of a death row convict about to be hanged the next day in the plaza right below their window. Hildy is at the center of this long Second Act during which the Cary Grant character is totally missing.

If you are watching His Girl Friday as a Cary Grant movie, and must of us do, you'll be very disappointed by this mid-sequence that lasts almost half an hour during which we almost forget about Walter Burns.

When Walter returns in the Third Act, he is his old loud motor-mouth trying to get the story first to his paper while forcing the corrupt sheriff and Mayor to back down from their threats of jailing him.

The plot itself is not that complicated. Walter Burns (Grant) is an ambitious and unscrupulous newspaper managing Editor in Chicago for whom getting it first and beating the other papers to the punch is more important than telling the truth. He is a sly but charming and street-smart operator who is trying to woo back his ex-wife and top-notch newspaper reporter Hildy Johnson (Russell).

Knowing that deep in her heart Hildy cares nothing in life as much as she does for journalism and the excitement of hunting down an exclusive story, Walter plays to her weakness in order to win her back while pretending that he is resigned to her new life with Baldwin.

At the end Hildy manages to hide the escaped convict (who claims he is innocent and he killed a cop just by mistake) inside a rollup desk in the Press Room and she gets an exclusive for Walter's paper, leaving all her male colleagues in the dust.

The screwball comedy is full of smart and funny exchanges like the following:

Hildy: I can, I can, and I like it, what's more. Besides, he forgets the office when he's with me...He doesn't treat me like an errand boy eith er, Walter. He treats me like a woman.

Walter: He does, does he? How did I treat ya, like a water buffalo?

# # #

Hildy: I spent six weeks in Reno, then Bermuda, oh, about four months, I guess. It seems like yesterday to me.

Walter: Maybe it was yesterday, Hildy. Been seeing me in your dreams?

# # #

Hildy: Listen to me, you great big bumble-headed bamboo!

# # #

Bruce Baldwin (talking about Walter): He's got a lot of charm.

Hildy: Yes, it comes naturally; his grandfather was a snake!

# # #

Walter: Let's see this paragon of virtue! Is he as good as you say?

Hildy: Why, he's better!

Walter: Well then, what does he want with you?

Hildy: Ah-ha, you got me!

# # #

A lovely film in which both Grant and Russell prove that they have the manic energy and smooth skills to deliver their complicated lines without a mishap while not sacrificing the physical comedy details jam-packed int o every scene. Two rascals who know one another better than anybody else in life and a well meaning insurance salesman who looks like a babe in the woods next to the two main operators.

Needless to say, it's also an eye-opener testimony to the way newspaper business was conducted in the 40s. We are all lucky the journalism profession, despite all its shortcoming, has much higher ethical standards today.

An 8 out 10.

Ugur Akinci, Ph.D. is a Creative CopyWriter, Editor, an experienced and award-winning Senior Technical Communicator specializing in fundraising packages, direct sales copy, web content, press releases, movie reviews and hi-tech documentation. He has worked as a Technical Writer for Fortune 100 corporations since 1999. He is the Editor of PRIVATE TUTOR FOR SAT MATH SUCCESS web site http://www.privatetutor.us

In addition to being an Ezine Articles Expert Author, he is also a Senior Member of the Society for Technical Communication (STC), and a Member of American Writers and Artists Institute (AWAI).

A true movie fan since he was a child, Akinci provides FREE MOVIE PLOT IDEAS every day of the year at SCRIPT BOILER. Visit http://scriptboiler.blogspot.com today.

You are most welcomed to visit his COPYWRITING WEB SITE http://www.Writer111.com for more information on his multidisciplinary background, writing career, and client testimonials.


Author:: Ugur Akinci
Keywords:: Hollywood,Movies,movie plots,Films,ugur akinci,Writer,Editor,His Girl Friday,cary grant
Post by History of the Computer | Computer safety tips

X Factor 3 Preview The MacDonald Brothers

The MacDonald Brothers
Manager Louis Walsh
Odds 80/1 (Outright), 8/1 (Group Winners)

The MacDonald Brothers, Craig at 20 and Brian at 19, are bound to draw comparison from Journey South of last series, but unlike the band that finished in third place, the MacDonald Brothers are up against it early on.

The duo from Ayr in Scotland are rank outsiders to win both the X Factor outright and to do the best out of their group. Their performance on the first live show of 'Three Times a Lady' was not met with much enthusiasm by the judges but they escaped finishing in the dreaded bottom two on the night.

The brothers live with their parents and have a half brother from their father's previous relationship. Their father is one of their biggest influences and taught the boys how to sing and perform. He performed in a band in the past although their mother is not musical at all.

The MacDonald Brothers have sang and played the accordion and fiddle toge ther since they were young children and performed at a school talent contest competition in a Queen tribute band called Cobra. It was then they realised that singing was their passion.

They have taken performing seriously for the past three years, singing at clubs, weddings and some backing vocals work and one of their biggest performances as The MacDonald Brothers was in front of Hugh Grant at the Ceilidh Dance.

Brian lists his musical influences as Eric Clapton, Phil Collins and Metallica while Craig names Elton John, George Michael, Muse and the Scissor Sisters. Craig's favourite song is Queen's 'Bohemian Rhapsody' while Brian names 'By The Way' by The Red Hot Chilli Peppers.

The boys are grateful to reach the final 12 of the X Factor and reflected on some of the less enjoyable jobs they have endured in the past. Craig took a year out because Brian was a year below him at school and rather than go to university at Prestwick Academy immediately, he worked at the Royal Bank of Scotland. However, he names the worst job he had was in an ice cream parlour in Ayr.

Brian's worst experience in the world of work was as an administrator which saw him stare at a computer screen from 9 to 5 with no opportunities for progression or do anything different.

Should they beat the bookmakers odds and progress in the competition, their ambition is to buy a Lotus, which they describe as the car of their dreams.

David Walker runs The MacDonald Brothers and free bets websites.


Author:: David Walker
Keywords:: x factor, free x factor bets, x factor betting, x factor odds
Post by History of the Computer | Computer safety tips

Wednesday, July 27, 2011

Acting Rise of Acting Techniques

A popular Italian comedy, Troupes of the commedia dell'arte was very popular throughout Europe in the early 1600s. They would work on makeshift stages and without scripts. These companies, which included women actor's spread a new wave between the actor's and audiences. Actor's improvised their own words and comic actions using a basic plot and character types, which created theatrical creativity and would capture the interest of the audience as a whole group. This was so unlike the opera or literary theater, where the emphasis from the audience concentrated on a playwright's speeches or individual. Scenic displays and literary concepts were not common, thus inspiring the art of Acting.

Theatergoers in England by the beginning of the 17th century learned how to distinguish Hamlet by actor-mana ger, Thomas Betterton. This was accomplished by other productions of Shakespeare's plays. Using different staging of familiar and classical plays sharpened spectator's senses. Good acoustics were designed into theater halls to help performers to be heard differently and to have more subtle and natural reflections. Visual details of a performance were easily perceived and critiqued with the introduction of indoor stage lighting. Individual actor's faces and hands were then displayed by the indoor stage lighting.

Charles Macklin and his student David Garrick became one of the first modern actors on the British stage in the 18th century. Commedia-like farces and pantomime was Charles Macklin's background and why he was hired, based his character Shylock (a Jewish businessman in Shakespeare's The Merchant of Venice) on Jews in London. Lifelike details of movement and speech were added to written text. These details might not have been noticed 50 years earlier if no t for the stage lighting, acoustic changes and other technologies.

Under better lighting conditions and more plausibility, David Garrick continued natural Acting. Mimicry was brought to the stage through Garrick's practices of imitating facial expressions of actual people. In his performance of Shakespeare's King Lear, Garrick used a crazed neighbor to reenact the accidental killing of his infant daughter. Garrick never dropped his character during a performance and he would listen and react in character to all the dialogue around him. Because of this, he was very popular with theatergoers.

Denis Diderot, an 18th century French encyclopedist, became fascinated with Garrick who was on tour in Paris. The actor feeling less emotion is what Diderot believed could achieve a more consistent and s tronger performance.

Diderot's essay Le paradoxe sur le comedien (1773; translated as The Paradox of the Actor, 1883), compared to famous rivals who performed at the Comedie Francaise, Marie-Francoise Dumesnil and Hippolyte Clairon.

Dumesnil believed it was an actor's responsibility to become the character and represented the so-called emotional school. She was very uneven as an actor and normally coasted through a performance until a tragic point was reached. She had emotional depth and tremendous power. She made claims she new the secrets of great Acting. To find out who she was as a character, where she was and what she had done, Dumesnil would use prayer. Alcohol stimulation was unfortunately a big part of her inspiration.

Clarion claimed she created her characters through movemen t and speech and not from becoming them or playing them. By rehearsing endlessly and perfecting the look of emotions, she was able to develop a natural and reliable character. She believed audiences applauded the actor, not the characters.

By these two actors' comparison's, Diderot uncovered polarities of inspiration and technique.

Problems of inspiration and expressiveness were not solved for other actors, however. For example, any schools or treatises that were left behind seemed to be more philosophical than technical. Actually with Garrick's natural school of Acting disappeared after his death. It was more of a fad with British audiences that was associated with the actor. Basically, Garrick and the rest couldn't teach their techniques.

In the 19th century emotional and anti-emot ional Acting styles of the great actors ran in cycles. Actor's of one generation championed the first technique and then was replaced by a younger actor who championed a different technique, which happened in every country. The romantic and emotive Edmund Kean followed Sarah Siddons, who followed Garrick and so on.

The limelight gave way to the rise of gas lighting and then on to electricity. More and more physical detail appeared on stage and costumes and scenic displays grew in complexity and size, which dwarfed the actor.

Michael Russell

Your Independent guide to Acting


Author:: Michael Russell
Keywords: : Acting
Post by History of the Computer | Computer safety tips

Da Vinci Code Claims Jesus Married Mary Magdalene But Where's the Proof?

The Code's claim

At the heart of The Da Vinci Code (novel by Dan Brown, movie directed by Ron Howard and starring Tom Hanks, Audrey Tautou, Ian McKellen, Paul Bettany, and Jean Reno) is the claim that Jesus Christ married Mary Magdalene (well call her Mary M.).

The character Sir Leigh Teabing offers proof from a document called The Gospel of Philip, which he claims was written by the Apostle Philip. Teabing quotes a passage that says Mary M. was Jesus companion, which Teabing interprets to mean his wife. He goes on to quote a passage that says Jesus often kissed her on the mouth.

The main characters accept these claims uncritically and for the rest of the novel/movie assume that they are true. But are they? Did Jesus really marry Mary M.? Lets examine the facts.

Return to the sourc e

First, what does the Bible say? I appeal to the Bible because it provides us with a historical account of the life of Jesus written shortly after the events took place. Matthew and John were eyewitnesses of these events. Mark is reported to have written down the testimony of the Apostle Peter. Luke explains that he carefully investigated everything from the beginning (Luke 1:3), and a close reading of the Book of Acts (Luke's volume two) reveals that as a companion of Paul he often had access to people who had known Jesus during His earthly ministry. The rest of the New Testament concerns issues and events in the period up to roughly 50 years after the death and resurrection of Jesus.

The Bible nowhere mentions Jesus having a wife. To the contrary, in Matthew 19:11-12, Jesus himself praised the single life as a gift some have received from God; for them it is better not to marry:

    Not everyone can accept this word, but only those to whom it has been gi ven. For some are eunuchs because they were born that way; others were made that way by men; and other have made themselves eunuchs because of the kingdom of heaven. The one who can accept this should accept it.

Apparently this path is what Jesus Himself accepted: a self-imposed renunciation of marriage for the sake of His ministry. John the Baptizer and the Apostle Paul (see 1 Corinthians 9:5) likewise traveled this lonely road. The Essenes and probably other members of Jewish sects chose to live as celibates.

Who is the Magdalene?

Mary M. is identified as one from whom Jesus drove out seven demons (Luke 8:2; Mark 16:9). She was one of Jesus disciples and was among those who accompanied Him from Galilee to Jerusalem. She is the Mary who saw the risen Jesus in the garden just outside the empty tomb (see Mark 15:40-41, 47; 16:1-8, [9-11; Matthew 27:55-56; 28:1-10; Luke 23:49, 55-56; 24:1-11; John 20:1-2, 10-18). The term Magdalene probably means person from Magdala, a town on the western shore of the Sea of Galilee, about halfway between Capernaum and Tiberias.

Mistaken identity

Mary M. has often been confused with Mary, the sister of Martha and Lazarus, who lived in Bethany in Judea, just outside of Jerusalem. She has also been mistaken for the unnamed sinful woman who at the house of Simon the Pharisee washed Jesus feet with her tears and dried them with her hair (see Luke 7:36-50). If this woman were Mary M., why is she introduced two verses later (Luke 8:2) as someone new? Some also think Mary M. is the woman taken in adultery, as recorded in John 7:53-8:11 (missing from many early manuscripts). Nothing in the text of John or any of the other three canonical gospel accounts supports this.

Why make her a heroine?

Second- and third-century Gnostics picked up on the appearance of Jesus to Mary M. as recorded in John 20, speculating that He must have said more to her than what is recorded there. In fact, they have seen fit to provide us with a discourse Jesus is supposed to have had with Mary M. They have transformed Mary M. into a disciple to whom Jesus imparted secret instruction, as recorded in the document called The Gospel of Mary [Magdalene.

However, it seems the Gnostics confused this Mary with the Mary of Bethany, for it says Jesus loved her more than other women, apparently a reference to John 11:5, which merely says, Jesus loved Martha and her sister and Lazarus. Because The Gospel of Mary's content is thoroughly Gnostic in character, we can confidently reject it as an authentic record of a historical conversation the two had.

At the end of the document, Andrew and then Peter reject what Mary has said because it is so different from what Jesus taught them and because she is a woman. Levi (same as Matthew), however, rebukes Andrew and Peter, and it ends with the disciples going out to proclaim the gospel of the kingdom, presumably having accepted h er teaching as genuine.

'Companion' and 'kissing'

The document known as The Gospel of Philip does not make so much of Mary M., but it does say this:

    There were three who always walked with the Lord; Mary, his mother, and his sister and Magdalene, the one who was his companion. His sister and his mother and his companion were each a Mary.

    And the companion of the [missing, possibly Lord was Mary Magdalene. [missing, possibly Jesus loved her more than [missing, possibly all the disciples [missing, possibly and used to kiss her [missing, possibly often on her [missing, possibly mouth. The rest [missing, possibly of the disciples were offended by this. They said to him Why do you love her more than all of us? The Savior answered and said to them, Why do I not love you like her? When a blind man and one who sees are both together in the darkness, they are no different from one another. When the light comes, then he who sees will see the light, and he w ho is blind will remain in darkness.

Despite the claim of the Da Vinci Code character Sir Leigh Teabing that in Aramaic, companion means wife, nothing in the context of this passage suggests that Jesus was married to Mary M. The original Gospel of Philip manuscript is in Coptic, an Egyptian language related to Greek, not Aramaic, as Da Vinci Code implies.

The corresponding Greek word for companion is koino-nos, which means partaker, partner, participant, one who shares. Here are the ten places this word occurs in the New Testament, not one time does it mean wife: Matthew 23:30; Luke 5:10; 1 Corinthians 10:18, 20; 2 Corinthians 1:7; 8:23; Philemon 17; Hebrews 10:33; 1 Peter 5:1; 2 Peter 1:4.

The Gospel of Philip passage merely suggests that Mary M. was a close disciple of Jesus, nothing more. The manuscript has lacunae (gaps or holes), as indicated by the brackets. The missing text has to be reconstructed, and a degree of uncertainty remains whether th e reconstruction is accurate. The editor of the documents states:

    [There is the physical deterioration of the books themselves, which began no doubt before they were buried around 400 C.E., advanced steadily while they remained buried, and unfortunately was not completely halted in the period between their discovery in 1945 and their final conservation some thirty years later. When only a few letters are missing, they can often be filled in adequately, but larger holes must simply remain a blank. (Robinson, 2-3).
It is entirely possible that mouth is not the right reconstruction. The missing word could have been cheek, hand, or even forehead. No one knows for sure.

What we do know is that the context indicates that the kiss only signifies her favored status as a disciple; no sexual overtones are present. The idea of her favored status must be an inference the Gnostic author of The Gospel of Philip made based on Jesus post-resurrection appearance outside the tomb.

But a more plausible reason might be that the crucifixion had filled Mary M. with an inconsolable grief, and the empty tomb only compounded it. Jesus may have appeared to especially to her out of compassion for her hurting heart. Another possible explanation is that he chose her and the other women as a way of conferring honor on women, making them the first to testify to the resurrection of their Lord.

Unreliable claim

Yet, even if The Gospel of Philip reported a marriage between Jesus and Mary M. (which it does not), it would remain the mere claim of a Gnostic who produced this document long after the canonical gospels were in circulation.

The manuscript was found in 1945 among other documents, all of which are now know as The Nag Hammadi Library. Scholars have assigned the approximate date of 400 C.E. to when all of them were buried. An examination of the contents of Gospel of Philip demonstrates its secondary character. For example, it speaks of the Jerusalem temple using the past tense (immediately placing it after the 70 C.E. destruction of Jerusalem) and refers to phrases from the canonical gospels and epistles as if they are well known, providing Gnostic interpretations of them. All of this suggests that the original Gospel of Philip, while it could be much earlier that 400 C.E., it post-dates the New Testament by probably a hundred years or more.

Which can we trust?

The New Testament provides us with a trustworthy, reliable account written during while many of the eyewitnesses were still alive to confirm or deny what was written. The apocryphal account we read in The Gospel of Philip and other writings of the second to fourth centuries are much later and are telling a different story to introduce doctrines contradictory to what was proclaimed by the apostles. Unlike the works of its namesake, Leonardo, The Da Vinci Code is no masterpiece of research---its historical blunders are too glarin g.

Want to go deeper?

If you want to read the authoritative English translation of The Gospel of Mary and The Gospel of Philip, including its lacunae, you can find it in James M. Robinson, ed., et al., The Nag Hammadi Library, 3d ed. (New York: Harper & Row, 1988). (Unfortunately, the online version of The Gospel of Philip does not show the lacunae, but presents conjectures as if they are part of the text.) You can also find a discussion of but The Gospel of Mary, The Gospel of Philip, and other Gnostic documents in Edgar Hennecke and Wilhelm Schneemelcher, eds. New Testament Apocrypha, Vol. 1: Gospels and Related Writings, R. McL. Wilson, trans. (Philadelphia, PA: Westminster, 1963). For more on Gnosticism and its relationship to Christianity, see Ronald Nash, The Gospel and the Greeks: Did the New Testament Borrow from Pagan Thought?, 2d ed. (Phillipsburg, NJ: P & R, 2003) and Edwin Yamauchi, Pre-Christian Gnosticism: A Survey of the Proposed Evidences, 2d ed. (Grand Rapids, MI: Baker, 1983).

* * *

Copyright 2006 Steve Singleton

Steve Singleton has written and edited several books and numerous articles. He has been an editor, reporter, and public relations consultant. He has taught college-level Greek, Bible, and religious studies courses and has taught seminars in 11 states and the Caribbean.

Go to his DeeperStudy.com for Bible study resources, no matter what your level of expertise. Explore The Shallows, plumb The Depths, or use the well-organized Study Links for original sources in English translation. Check out the DeeperStudy Bookstore for great e-b ooks, free books, and great discounts. Subscribe to his free DeeperStudy Newsletter or DeeperStudy Blog.


Author:: Steve Singleton
Keywords:: da vinci code,mary magdalene,Christ,jesus married,gospel of philip,gospel of mary,dan brown,opus dei
Post by History of the Computer | Computer safety tips

Love Actually (Movie Review)

One of the more interesting Movies of 2003, Love Actually is a hilarious, romantic, emotional rollercoaster chronicling the effects of love on an interconnecting web of individuals. Filled with a number of memorable scenes, yet completely ignored by the Academy Awards, Love Actually is the type of film enjoyed by a wide array of people. I have yet to meet anyone who didn't like it, which is saying a lot considering this could fall under the category of chick flick. But what makes Love Actually a successful film is its ability to identity with each audience member on a personal level. Each character is easy to relate to, and the multiple storylines are surprisingly easy to follow.

Starring a plethora of Hollywood stars and starlets (Liam Neeson, Emma Thompson, Hugh Grant, etc), Love Actually follows th e lives of various loosely connected characters as they struggle to deal with their love lives in the hectic month leading up to Christmas. Set in London, England, the film is a collage of various lives. The central character is the world's most eligible bachelor, the new Prime Minister named David (Hugh Grant), a powerful man who falls in love with his newly hired personal assistant Natalie (Martine McCutcheon), but can barely summon the courage to tell her how he feels.

The film also follows the life of the Prime Minister's older sister Karen (Emma Thompson), a woman struggling with her husband Harry's (Alan Rickman) possible infidelity with an office co-worker named Mia (Heike Makatsch) who she knows is after him. Meanwhile, Karen confides in her male friend Daniel (Liam Neeson) who is concerned about the strange behavior of his young son, who he later finds out is in love with a young girl in his class - a girl who will soon move to the United States. Rounding out the storylines are a writer who catches his girlfriend cheating and moves away to France where he find new love, a secretary who questions her love affair with an office co-worker she's wanted for years, a photographer smitten with his best friend's new wife, and a pair of porn stars who develop a relationship after filming a number of scenes together (many of these sequences are hilarious). To top it all off, one young man moves to Wisconsin were he believes girls will stand in line to make love to him. Love Actually features a multitude of eccentric and lovable characters the audience gets to know, and each character crosses paths in the final moments of the film, projecting a very uplifting message about life and relationships.

But the show stealer of Love Actually is Billy Mack (Bill Nighy), an aging rock star desperate to climb back to the top of the charts. He achieves his goal by means of a wildly outlandish and funny personality that puts him on radio and TV sh ows everywhere and leads to his indescribable song Christmas Is All Around taking the country by storm.

With a likeable cast of characters, and a multiplicity of viewpoints (pessimistic, optimistic, young & old, etc.), Love Actually is a refreshing film boasting a little bit of everything. It's a film that will make you laugh, make you sad, and in general, provide you with a good feeling when it's all over. For that reason, Love Actually is a definite must-see film. Don't hesitate to rent this one

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Love Actually (DVD).


Author:: Britt Gillette
Keywords:: love actually Movie review
Post by History of the Computer | Computer safety tips